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#lang pollen
◊ ( define - meta title "mixing fonts" )
◊ hanging - topic [ ( topic - from - metas metas ) ] { Less is more }
Enthusiasm for fonts often leads to enthusiasm for multiple fonts , and then the question: “ How do I get better at ◊ em { mixing fonts } in a document ? ”
Mixing fonts is like mixing patterned shirts and ties — there aren ’ t blackletter rules . Some people have a knack for it ; some don ’ t .
Keep these principles in mind:
◊ numbered - list {
Mixing fonts is never a requirement — it ’ s an option . You can get plenty of mileage out of one font using variations based on ◊ xref { point size } , ◊ xref { bold or italic } , ◊ xref { small caps } , and so on .
The rule of diminishing returns applies . Most documents can tolerate a second font . Few can tolerate a third . Almost none can tolerate four or more . ( If you ’ re making a ◊ xref { presentation } , treat all the slides as one document . )
You can mix any two fonts that are identifiably different . If you ’ ve heard that you can only mix a serif font with a sans serif font , it ’ s not true . On the contrary , much like mixing colors , lower contrast between fonts can be more effective than higher contrast .
Font mixing is most successful when each font has a consistent role in the document . In a ◊ xref { research memo } , try one font for body text and one font for headings . Or in a ◊ xref { motion } , try one font for things in the center of the document ( body text and headings ) and one font for things at the edges ( line numbers , footer , and other miscellany ) .
It rarely works to have multiple fonts in a single paragraph . Better to restrict yourself to one font per paragraph , and change fonts only at paragraph breaks .
Though I ’ m typically reluctant to endorse rote methods , this one works reliably: combine fonts by the same designer . }